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This may sound too preposterous but throughout Jhootha Kahin Ka, I was thinking of Hrishikesh Mukherjee. A bunch of his gentle and genteel comedies — Chupke Chupke, Golmaal, Jhooth Bole Kauwa Kaate — have sprung from mistaken identities and harmless lies. Smeep Kang also tries to build his film on a similar web of falsehoods and adds elements of the Luv Ranjan brand of romcoms, told from the point of view of callow young men. But, beyond a few inspired moments towards the end, the film refuses to fly.

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